Canberra | Sydney
1 May - 2 May
With David Greco
David Greco, Baritone
Skye McIntosh Violin
Matthew Greco Violin
Karina Schmitz Viola
Daniel Yeadon Cello
ARTISTS
SCHUBERT
Various Lieder arr. for Baritone and String Quartet including: Strophe aus ‘Die Götter Griechenlands’(Schiller) D 677
Der Jungling und der Tod (von Spaun) D 545
Gute Nacht, Frühlingstraum, Der Leiermann from
Winterreise (Müller) D 911
Der Tod und das Mädchen (Claudius) D 531
Erlkönig (Goethe) D 328
MENDELSSOHN
Four movements for String Quartet Op. 81:
Andante in E major, Scherzo in A minor,
Capriccio in E minor, Fugue in E flat major
CONCERT DURATION:
Approx 60 minutes with no interval
PROGRAM
Much more than a lieder recital, this rare and beautiful concert features some of Schubert’s most darkly-hued songs, superbly delivered by David Greco’s mahogany bass-baritone, and intensified by rich and expressive string quartet accompaniments.
David has carefully structured his selection according to key and timbre, and the esteemed Australian Haydn Ensemble have chosen instrumental movements by Felix Mendelssohn (at his most Schubertian!) to contrast or reinforce each song.
The movements date from the last tragic six months of Mendelssohn’s life, in which he battled both illness and bitter mourning for his sister Fanny. Published posthumously as Op. 81, the Andante, Scherzo, Capriccio and Fugue are strange and passionate stand-alone works that push into territory even more melancholy than his final quartet in F minor.
Paired here with lyrical and nightmarish evocations of loss (The Gods of Greece, Good Night, Dream of Spring and The Hurdy-Gurdy Man from Winterreise), and visions of death both terrifying (The Erlking, Death and the Maiden) and comforting (The Youth and Death) the concert becomes a deeply satisfying and moving meditation in itself. The consistent scoring also prompts new insights about the profound connections between the lieder and Schubert’s quartets, and the impact his musical ‘existentialism’ had on future Romantics.
Go on this wild and sad journey; when you come up for the autumnal air, you’ll never feel more alive.
ABOUT THIS CONCERT
PERFORMANCES & TICKETS
*Tickets to this Canberra event are available directly from the CIMF and are not available as part of your AHE Subscription package.
WHAT YOU’LL HEAR
This is a special program that weaves together a number of Schubert’s loved Leider (Songs) with 4 movements of Mendelssohn for String Quartet. Schubert’s lieder are traditionally performed with voice and piano - but for this program you will hear stunning arrangements for baritone and string quartet. Listen here to an early video recording of one of the lieder on the program (The Erlkönig).
A NEW AHE EXPERIENCE
Experience our new pre-event series of talks alongside your concert subscription.
Held on a different day to AHE’s Sydney concerts, these special, informative events are available as 3, 4, of 5 event subscription packages in Sydney - sold separately to your concert series subscription.
DETAILS OF EACH EVENT BELOW
DEEP DIVE
Learn more about the Composers and Music in this performance from the following links:
AHE SPOTIFY PLAYLIST
Listen to further selections from the program on our spotify playlist.
CONCERTS 101: WHAT TO EXPECT
First time attending a concert and not sure what to expect? Don’t worry! Scroll down to find out about attending an AHE concert. If you have questions that you don’t see the answer to here, send us an email and we’d be happy to help. Contact one of our friendly team at: info@australianhaydn.com.au
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Firstly, you should know there are no rules. Going to a concert can be a great time to glam it up. If that feels right, then go ahead – there’ll almost certainly be plenty of others dressing up.
It’s also totally fine to come in jeans – and plenty of people do. The only real “rule” is to wear something that’s comfortable.
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Don’t worry – nobody is going to get into trouble for clapping in the “wrong” place. The only real rule is not to clap while the musicians are actually playing (as other people can’t hear them).
The thing to know is that applause conventions have changed over time. People used to talk all the way through the opera in the 1700s, and we don’t tend to do that now!
At AHE, the music we play will often come to the end of a section (known as a movement) with what feels like a ‘big finish’. It’s like the composer is begging you to respond. And in days of old, they may well have shouted or clapped or cheered at that point!
When that happens, and you “accidentally” clap and not many others do, you have done nothing wrong! Just sit back and let it all sink in. You may still feel the vibration of the music in the air, and it can be quite a magical moment.
The performers will be getting ready for the next movement, which may have a very different feel to it. That’s all part of the journey of the piece as a whole.
Think of it like a book, with each movement like a chapter. You save your Goodreads five-star review for the end – and that has now become the convention for clapping at concerts.
At the end of the work, there will once again be a lovely pause while the final notes die away.
Watch for the body language of the players and let that be your guide. The majority of people around you may also start clapping too – so that’s always a good sign to let go and express yourself.
You don’t have to hold back at all now! Feel free to clap as loud and long as you like, cheer or you can even stamp your feet on the floor while you are still seated if you really loved it!
Sometimes you’ll see people standing up and clapping too (called a standing ovation). You don’t have to do this, but when and if you do, just know that it’s the highest honour an audience can give the musicians and a sign of maximum appreciation.
Most of all – listen and enjoy!
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Each performance has a detailed concert program that explains the history of the composers, the music and provides information about the musicians.
You can pick up a concert program at the performance or read it online a few weeks before the concert. Once, available, we upload it to our Concert Programs page and include it on the event page (above)
We also try to provide information about the music in the lead up to a concert on our website, social channels and via emails.
In our ‘Deep Dive’ section (also on this page for each concert), you will find links to various background information pages that will help to give you more insight into the works and composers on the program.
Be sure you have opted in to receive emails so that you get all the info.
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Yes, depending on the venue. The availability of refreshments varies from venue to venue and changes from time to time.
Below is information about what is currently available at our own venues.
BERRY: In Berry, we have community-led catering which usually includes tea and coffee, wine, cakes and snacks served by our wonderful local supporters.
BOWRAL MEMORIAL HALL: Delicious pre-concert and interval homemade treats are provided by the CWA. Alcohol is not currently available. There are gluten-free options and you can pay by cash or card.
BURRAWANG, SCHOOL OF ARTS: In Burrawang, we have gorgeous community-led catering which usually includes tea and coffee, wine and snacks served by the wonderful hall committee.
CANBERRA: Wesley Music Centre. Interval tea and coffee is on the cards for this venue in the future!
CITY RECITAL HALL: In Sydney, the City Recital Hall operates a full service bar before the concert and at interval. You can even take your drink inside the concert! Note that the City Recital Hall is a cashless bar. More information on all the dining options and bars is available here.
LAKE MACQUARIE: Tea and coffee, wine and snacks available.
PORT MACQUARE: Tea, coffee and wine available.
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Between pieces definitely. Our instruments aren’t amplified so we ask you to respect everyone’s experience and that you don’t talk whilst the musicians are playing.
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Photos are fine between pieces and when the musicians are bowing at the end of pieces, provided the flash is off.
Our musicians are concentrating hard whilst they are performing though, so we ask that your phone is off and away during the performance itself.