Parramatta | Canberra | Berry | Bowral | Sydney
9 March - 17 March

String Quartets by Haydn, Beethoven & Fanny Mendelssohn

  • ★★★★“...superlative playing of what must be music in its purest form.…”

    Limelight, AHE String Quartet, 2023

Skye McIntosh Violin
Matthew Greco Violin
Karina Schmitz Viola
Daniel Yeadon Cello

ARTISTS

HAYDN
String Quartet Op. 76 No. 4 Sunrise

FANNY MENDELSSOHN (HENSEL)
String Quartet in E flat major

BEETHOVEN String Quartet Op. 18 No. 1 in F major

CONCERT DURATION:
Approx 120 minutes with a 20 minute interval

PROGRAM

ABOUT THIS CONCERT

If you define “Shakespearean” as art that happily embraces both sublime poetry and earthy humour then Haydn and Beethoven definitely rub shoulders with the Bard.

The AHE commence their season with two wonderful quartets that morph effortlessly from
the lofty to the lowbrow. Then Fanny Mendelssohn’s quartet, apparently the first ever composed by a woman, offers an elegant, if far from ladylike, riposte.

Beethoven never set Shakespeare, even in translation, but his instrumental works often
cryptically allude to his favourite plays. When the mind’s eye of his lead violinist conjured a lovers’ farewell scenario to the wrenching despair of Op. 18 No. 1’s Adagio, Beethoven confessed its secret link to Romeo and Juliet’s final scene. Interpolations on the sketches reveal a rare literal approach (“He enters the tomb…he kills himself…the dying sighs” ) but the composer wisely decided to let the music speak for itself.

Haydn seemed never to be afforded that option, with public and publishers leaping to assign programmatic nicknames to his works. Whether the hazy, soft-focused opening to his Sunrise quartet is an actual depiction of dawn matters little: the first two of Op. 76 No. 4 are among the most rhapsodically beautiful of all quartet movements.

Neither teacher nor pupil suffer any qualms about getting their hands dirty in the remaining movements, however: brilliant counterpoint sits alongside tipsy hiccoughing and belching, and each culminate in the dizzy whirl of a country dance. Listen, too, for a hint of Transylvania in the trio to Haydn’s Minuet.

Fanny’s sole Quartet in E flat major, largely composed before she became Mrs. Hensel, is now justly popular and lauded for its formal and harmonic audacity. High rotation on classic radio has very nearly put its scintillating Allegretto in the warhorse stable, while the surrounding movements have long outgrown the need for special pleading: it’s a splendid work to experience live, and the lush finale generates a guaranteed adrenalin rush.


PERFORMANCES & TICKETS

Sun 9 March 4pm

Riverside Theatres
Parramatta

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Thurs 13 March 7pm

Wesley Music Centre
Forrest, Canberra, ACT

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Fri 14 March 7pm

Berry Uniting Church Hall
Berry

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Sat 15 Mar 4pm

Bowral Memorial Hall
Bowral, Southern Highlands

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Mon 17 March, 7pm

The Utzon Room , Sydney Opera House
Sydney

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A NEW AHE EXPERIENCE

Experience our new pre-event series of talks alongside your concert subscription.

Held on a different day to AHE’s Sydney concerts, these special, informative events are available as 3, 4, of 5 event subscription packages in Sydney - sold separately to your concert series subscription.

DETAILS OF EACH EVENT BELOW

DEEP DIVE

Learn more about the Composers and Music in this performance from the following links:

AHE SPOTIFY PLAYLIST

Listen to further selections from the program on our spotify playlist.

CONCERTS 101: WHAT TO EXPECT

First time attending a concert and not sure what to expect? Don’t worry! Scroll down to find out about attending an AHE concert. If you have questions that you don’t see the answer to here, send us an email and we’d be happy to help. Contact one of our friendly team at: info@australianhaydn.com.au

  • Firstly, you should know there are no rules. Going to a concert can be a great time to glam it up. If that feels right, then go ahead – there’ll almost certainly be plenty of others dressing up.

    It’s also totally fine to come in jeans – and plenty of people do. The only real “rule” is to wear something that’s comfortable.

  • Don’t worry – nobody is going to get into trouble for clapping in the “wrong” place. The only real rule is not to clap while the musicians are actually playing (as other people can’t hear them).

    The thing to know is that applause conventions have changed over time. People used to talk all the way through the opera in the 1700s, and we don’t tend to do that now!

    At AHE, the music we play will often come to the end of a section (known as a movement) with what feels like a ‘big finish’. It’s like the composer is begging you to respond. And in days of old, they may well have shouted or clapped or cheered at that point!

    When that happens, and you “accidentally” clap and not many others do, you have done nothing wrong! Just sit back and let it all sink in. You may still feel the vibration of the music in the air, and it can be quite a magical moment.

    The performers will be getting ready for the next movement, which may have a very different feel to it. That’s all part of the journey of the piece as a whole.

    Think of it like a book, with each movement like a chapter. You save your Goodreads five-star review for the end – and that has now become the convention for clapping at concerts.

    At the end of the work, there will once again be a lovely pause while the final notes die away.

    Watch for the body language of the players and let that be your guide. The majority of people around you may also start clapping too – so that’s always a good sign to let go and express yourself.

    You don’t have to hold back at all now! Feel free to clap as loud and long as you like, cheer or you can even stamp your feet on the floor while you are still seated if you really loved it!

    Sometimes you’ll see people standing up and clapping too (called a standing ovation). You don’t have to do this, but when and if you do, just know that it’s the highest honour an audience can give the musicians and a sign of maximum appreciation.

    Most of all – listen and enjoy!

  • Each performance has a detailed concert program that explains the history of the composers, the music and provides information about the musicians.

    You can pick up a concert program at the performance or read it online a few weeks before the concert. Once, available, we upload it to our Concert Programs page and include it on the event page (above)

    We also try to provide information about the music in the lead up to a concert on our website, social channels and via emails.

    In our ‘Deep Dive’ section (also on this page for each concert), you will find links to various background information pages that will help to give you more insight into the works and composers on the program.

    Be sure you have opted in to receive emails so that you get all the info.

  • Yes, depending on the venue. The availability of refreshments varies from venue to venue and changes from time to time.

    Below is information about what is currently available at our own venues.

    BERRY: In Berry, we have community-led catering which usually includes tea and coffee, wine, cakes and snacks served by our wonderful local supporters.

    BOWRAL MEMORIAL HALL: Delicious pre-concert and interval homemade treats are provided by the CWA. Alcohol is not currently available. There are gluten-free options and you can pay by cash or card.

    BURRAWANG, SCHOOL OF ARTS: In Burrawang, we have gorgeous community-led catering which usually includes tea and coffee, wine and snacks served by the wonderful hall committee.

    CANBERRA: Wesley Music Centre. Interval tea and coffee is on the cards for this venue in the future!

    CITY RECITAL HALL: In Sydney, the City Recital Hall operates a full service bar before the concert and at interval. You can even take your drink inside the concert! Note that the City Recital Hall is a cashless bar. More information on all the dining options and bars is available here.

    LAKE MACQUARIE: Tea and coffee, wine and snacks available.

    PORT MACQUARE: Tea, coffee and wine available.

  • Between pieces definitely. Our instruments aren’t amplified so we ask you to respect everyone’s experience and that you don’t talk whilst the musicians are playing.

  • Photos are fine between pieces and when the musicians are bowing at the end of pieces, provided the flash is off.

    Our musicians are concentrating hard whilst they are performing though, so we ask that your phone is off and away during the performance itself.