Canberra | Berry | Bowral | Sydney
Port Macquarie | Lake Macquarie
30 October - 8 November

A CLASSIC MEETS HIS IMMORTAL BELOVED

  • “It was a marvellous performance by the seven instrumentalists which did more than ample justice to Beethoven in this powerful rendition.”

    SHAMISTHA DE SOYSA | Sounds Like Sydney | NSW | 1 July 2024

  • “★★★★★…like nothing I’ve ever heard before. …An extraordinary experience.”

    ROB KENNEDY | Limelight | ACT | 27 June 2024

  • “The energy, stamina and skill displayed by the performers was massively impressive.”

    WILL EVANS | ClassikON | NSW | 1 July 2024

  • ★★★★1/2 “Australian Haydn Ensemble’s magnificent seven nail a stripped back Beethoven classic.”

    STEVE MOFFAT | Limelight | 21 August 2023

ARTISTS

Skye McIntosh Violin
Matthew Greco Violin
Karina Schmitz Viola
Nicole Divall Viola
Daniel Yeadon Cello
Pippa Macmillan Double Bass
Mikaela Oberg Flute

PROGRAM

FERDINAND RIES 
Symphony No. 5 in D minor Op. 112 - 1st movement 
(arr. Ries)

BOCCHERINI 
String Sextet in F major, Op. 23 No. 6 

ELLA MACENS 
String Sextet (World Premiere - New Commission)

BEETHOVEN
Symphony No. 8 in F major Op. 83
arr. F.W. Crouch (1821)

CONCERT DURATION:
Approx 120 minutes with a 20 minute interval

ABOUT THIS CONCERT

Ah, those summer nights in Eastern Europe, 1812.

A week after Napoleon invades Russia, Ludwig van Beethoven almost certainly says “Yes,
tonight Josephine” to the love of his life, the unhappily married and recently jilted but
socially impossible match, Countess Jozefina Brunszvik. Three days later he pours forth - with
the pencil (!) he souvenired from the tryst - the 10 little pages of hopeless devotion that have spawned thousands of pages of academic speculation. He hastily concludes in order to make the next post, then scrunches them in his pocket for the rest of his life.

This superb program revolves around the tantalizing enigma of the “Immortal Beloved” letters. Young Sydney composer Ella Macens, whose tender and expressive work with the Goldner and Flinders quartets has demonstrated a special affinity with chamber strings, embraces baroque tuning with a new commission inspired by Ludwig’s passionate declarations.

Exactly nine months after the clandestine Spa-town rendezvous, the countess bore a daughter that she christened Minona (hint: spell it backwards). No paternity mystery shrouds the other fruit of the encounter though, Beethoven’s Eighth Symphony, whose gestation period was considerably shorter. This utterly delightful homage to Haydn, so full of wit and musical slapstick, is light-years from the mindset of the letters, even though he started composing it then and there in the same hotel room.

Is that why he didn’t make it to the post office? Heard in the Ensemble’s by now familiar “unplugged” style, it’s guaranteed to banish frustration and consternation to your back pockets too.

Also on the bill, the remarkable rip-off that is the Fifth Symphony in D minor by Beethoven’s friend, pupil and long-suffering PA, Ferdinand Ries (written after his narrow escape from Bonaparte-ravished Russia, when fate led him to knock on the door of the London Philharmonic), and one of the first string sextets ever written, Boccherini’s Op. 24, No.4 in F minor. A sumptuous masterpiece that deserves classic status.


PERFORMANCES & TICKETS

Thurs 30 Oct 7pm

Gandel Hall, National Gallery Of Australia, Canberra

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Fri 31 Oct 7pm

Berry Uniting Church Hall,
Berry

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Sat 01 Nov 4pm

Bowral Memorial Hall,
Bowral

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Mon 03 Nov 7pm

City Recital Hall, Angel Place
Sydney

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A NEW AHE EXPERIENCE

Experience our new pre-event series of talks alongside your concert subscription.

Held on a different day to AHE’s Sydney concerts, these special, informative events are available as 3, 4, of 5 event subscription packages in Sydney - sold separately to your concert series subscription.

DETAILS OF EACH EVENT BELOW

CONCERTS 101: WHAT TO EXPECT

First time attending a concert and not sure what to expect? Don’t worry! Scroll down to find out about attending an AHE concert. If you have questions that you don’t see the answer to here, send us an email and we’d be happy to help. Contact one of our friendly team at: info@australianhaydn.com.au

  • Firstly, you should know there are no rules. Going to a concert can be a great time to glam it up. If that feels right, then go ahead – there’ll almost certainly be plenty of others dressing up.

    It’s also totally fine to come in jeans – and plenty of people do. The only real “rule” is to wear something that’s comfortable.

  • Don’t worry – nobody is going to get into trouble for clapping in the “wrong” place. The only real rule is not to clap while the musicians are actually playing (as other people can’t hear them).

    The thing to know is that applause conventions have changed over time. People used to talk all the way through the opera in the 1700s, and we don’t tend to do that now!

    At AHE, the music we play will often come to the end of a section (known as a movement) with what feels like a ‘big finish’. It’s like the composer is begging you to respond. And in days of old, they may well have shouted or clapped or cheered at that point!

    When that happens, and you “accidentally” clap and not many others do, you have done nothing wrong! Just sit back and let it all sink in. You may still feel the vibration of the music in the air, and it can be quite a magical moment.

    The performers will be getting ready for the next movement, which may have a very different feel to it. That’s all part of the journey of the piece as a whole.

    Think of it like a book, with each movement like a chapter. You save your Goodreads five-star review for the end – and that has now become the convention for clapping at concerts.

    At the end of the work, there will once again be a lovely pause while the final notes die away.

    Watch for the body language of the players and let that be your guide. The majority of people around you may also start clapping too – so that’s always a good sign to let go and express yourself.

    You don’t have to hold back at all now! Feel free to clap as loud and long as you like, cheer or you can even stamp your feet on the floor while you are still seated if you really loved it!

    Sometimes you’ll see people standing up and clapping too (called a standing ovation). You don’t have to do this, but when and if you do, just know that it’s the highest honour an audience can give the musicians and a sign of maximum appreciation.

    Most of all – listen and enjoy!

  • Each performance has a detailed concert program that explains the history of the composers, the music and provides information about the musicians.

    You can pick up a concert program at the performance or read it online a few weeks before the concert. Once, available, we upload it to our Concert Programs page and include it on the event page (above)

    We also try to provide information about the music in the lead up to a concert on our website, social channels and via emails.

    In our ‘Deep Dive’ section (also on this page for each concert), you will find links to various background information pages that will help to give you more insight into the works and composers on the program.

    Be sure you have opted in to receive emails so that you get all the info.

  • Yes, depending on the venue. The availability of refreshments varies from venue to venue and changes from time to time.

    Below is information about what is currently available at our own venues.

    BERRY: In Berry, we have community-led catering which usually includes tea and coffee, wine, cakes and snacks served by our wonderful local supporters.

    BOWRAL MEMORIAL HALL: Delicious pre-concert and interval homemade treats are provided by the CWA. Alcohol is not currently available. There are gluten-free options and you can pay by cash or card.

    BURRAWANG, SCHOOL OF ARTS: In Burrawang, we have gorgeous community-led catering which usually includes tea and coffee, wine and snacks served by the wonderful hall committee.

    CANBERRA: Wesley Music Centre. Interval tea and coffee is on the cards for this venue in the future!

    CITY RECITAL HALL: In Sydney, the City Recital Hall operates a full service bar before the concert and at interval. You can even take your drink inside the concert! Note that the City Recital Hall is a cashless bar. More information on all the dining options and bars is available here.

    LAKE MACQUARIE: Tea and coffee, wine and snacks available.

    PORT MACQUARE: Tea, coffee and wine available.

  • Between pieces definitely. Our instruments aren’t amplified so we ask you to respect everyone’s experience and that you don’t talk whilst the musicians are playing.

  • Photos are fine between pieces and when the musicians are bowing at the end of pieces, provided the flash is off.

    Our musicians are concentrating hard whilst they are performing though, so we ask that your phone is off and away during the performance itself.

AHE SPOTIFY PLAYLIST

Listen to further selections from the program on our spotify playlist.