HAYDN’S PASSION
Joyous. Spirited. Thrilling.
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PROGRAM
HAYDN
Symphony No. 49 in F minor La Passione
MOZART
Violin Concerto No. 3 in G major K. 216
Interval
C.P.E. BACH
Symphony in E minor Wq 178
MOZART
Symphony No. 29 in A major K. 201
CONCERT DURATION:
Approx 120 minutes with a 20 minute interval
ABOUT THIS CONCERT
This cracker of a concert is jam-packed with stormy sounds and hurtling horsehair. AHE is in orchestral format for Haydn’s Passion - performing two key works from Mozart, along with Haydn’s La Passione symphony and a less familiar but just as exciting work by C.P.E. Bach. Be there as Artistic Director Skye McIntosh performs the recently recorded Mozart’s Violin Concerto No. 3 and the Ensemble swells in size to perform Haydn’s 29th symphony — La Passione.
Artistic Director and soloist Skye McIntosh has chosen two perennial favourites containing some of Mozart’s loveliest writing, arguably the first time it crossed the line from “gifted” to “immortal”. The concerto’s celebrated Adagio is a ravishing aria without words, the violin soaring over the flutes and muted strings, while the A major symphony, from its delectable opening to its galloping finale, is uninterruptedly joyous.
Haydn’s 49th Symphony, The Passion, by contrast, is seriously dramatic, with the nervous energy of CPE Bach, but also seems to look backwards to the Italian baroque; its cascading passages, with horns blazing, conjuring Titian-like dark skies.
Meanwhile, C.P.E. Bach's Symphony in E Minor captures the intense, unpredictable spirit of Sturm und Drang, pushing the boundaries of emotional expression in the Classical symphony. Bach's volatile phrases and dynamic shifts create an electrifying, adding a thrilling tension to the program.
A dazzling evening from a 21st-century ensemble of period instrument soloists to rival Haydn’s beloved band.
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![AHE BEETHOVEN'S SEVENTH | Skye McIntosh | image Oliver Miller 2.jpg](https://images.squarespace-cdn.com/content/v1/635bbd604f03f76ef980840e/1692693328758-EF31SDM73RLONKYCNFXP/AHE+BEETHOVEN%27S+SEVENTH+%7C+Skye+McIntosh+%7C+image+Oliver+Miller+2.jpg)
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![AHE BEETHOVEN;S SEVENTH, Skye McIntosh, violin | Melissa Farrow, flute | Matthew Greco, violin| image Oliver Miller..jpg](https://images.squarespace-cdn.com/content/v1/635bbd604f03f76ef980840e/1692760363936-MGHFA14YOIYIAEK8MD3X/AHE+BEETHOVEN%3BS+SEVENTH%2C+Skye+McIntosh%2C+violin+%7C+Melissa+Farrow%2C+flute+%7C+Matthew+Greco%2C+violin%7C+image+Oliver+Miller..jpg)
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PERFORMANCES & TICKETS
DEEP DIVE
Learn more about the music and composers on this program with these links to articles and further information that we thought you would enjoy.
WHAT YOU’LL HEAR
AHE SPOTIFY PLAYLIST
Listen to further selections from the program on our spotify playlist.
CONCERTS 101: WHAT TO EXPECT
First time attending a concert and not sure what to expect? Don’t worry! Scroll down to find out about attending an AHE concert. If you have questions that you don’t see the answer to here, send us an email and we’d be happy to help. Contact one of our friendly team at: info@australianhaydn.com.au
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Firstly, you should know there are no rules. Going to a concert can be a great time to glam it up. If that feels right, then go ahead – there’ll almost certainly be plenty of others dressing up.
It’s also totally fine to come in jeans – and plenty of people do. The only real “rule” is to wear something that’s comfortable.
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Don’t worry – nobody is going to get into trouble for clapping in the “wrong” place. The only real rule is not to clap while the musicians are actually playing (as other people can’t hear them).
The thing to know is that applause conventions have changed over time. People used to talk all the way through the opera in the 1700s, and we don’t tend to do that now!
At AHE, the music we play will often come to the end of a section (known as a movement) with what feels like a ‘big finish’. It’s like the composer is begging you to respond. And in days of old, they may well have shouted or clapped or cheered at that point!
When that happens, and you “accidentally” clap and not many others do, you have done nothing wrong! Just sit back and let it all sink in. You may still feel the vibration of the music in the air, and it can be quite a magical moment.
The performers will be getting ready for the next movement, which may have a very different feel to it. That’s all part of the journey of the piece as a whole.
Think of it like a book, with each movement like a chapter. You save your Goodreads five-star review for the end – and that has now become the convention for clapping at concerts.
At the end of the work, there will once again be a lovely pause while the final notes die away.
Watch for the body language of the players and let that be your guide. The majority of people around you may also start clapping too – so that’s always a good sign to let go and express yourself.
You don’t have to hold back at all now! Feel free to clap as loud and long as you like, cheer or you can even stamp your feet on the floor while you are still seated if you really loved it!
Sometimes you’ll see people standing up and clapping too (called a standing ovation). You don’t have to do this, but when and if you do, just know that it’s the highest honour an audience can give the musicians and a sign of maximum appreciation.
Most of all – listen and enjoy!
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Each performance has a detailed concert program that explains the history of the composers, the music and provides information about the musicians.
You can pick up a concert program at the performance or read it online a few weeks before the concert. Once, available, we upload it to our Concert Programs page and include it on the event page (above)
We also try to provide information about the music in the lead up to a concert on our website, social channels and via emails.
In our ‘Deep Dive’ section (also on this page for each concert), you will find links to various background information pages that will help to give you more insight into the works and composers on the program.
Be sure you have opted in to receive emails so that you get all the info.
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Yes, depending on the venue. The availability of refreshments varies from venue to venue and changes from time to time.
Below is information about what is currently available at our own venues.
BERRY: In Berry, we have community-led catering which usually includes tea and coffee, wine, cakes and snacks served by our wonderful local supporters.
BOWRAL MEMORIAL HALL: licious pre-concert and interval homemade treats are provided by the CWA. Alcohol is not currently available. There are gluten-free options and you can pay by cash or card.
BURRAWANG, SCHOOL OF ARTS: In Burrawang, we have gorgeous community-led catering which usually includes tea and coffee, wine and snacks served by the wonderful hall committee.
CANBERRA: Wesley Music Centre. Interval tea and coffee is on the cards for this venue in the future!
CITY RECITAL HALL: In Sydney, the City Recital Hall operates a full service bar before the concert and at interval. You can even take your drink inside the concert! Note that the City Recital Hall is a cashless bar. More information on all the dining options and bars is available here.
LAKE MACQUARIE: Tea and coffee, wine and snacks available.
PORT MACQUARE: Tea, coffee and wine available.
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Between pieces definitely. Our instruments aren’t amplified so we ask you to respect everyone’s experience and that you don’t talk whilst the musicians are playing.
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Photos are fine between pieces and when the musicians are bowing at the end of pieces, provided the flash is off.
Our musicians are concentrating hard whilst they are performing though, so we ask that your phone is off and away during the performance itself.