BEETHOVEN’S FIFTH
Intense. Exhilarating. Famous.
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PROGRAM
AHE continues its exploration of historical arrangements of Beethoven’s masterworks on period instruments. Get up close and personal with Beethoven’s mighty Fifth Symphony, as the septet reveals surprising new intensities.
LUIGI BOCCHERINI
String Quintet Op. 30 No. 6 G. 234
Night Music of the Streets of Madrid
FERDINAND RIES
Symphony No. 3 in E flat major Op. 90 (arr. Ries)
BEETHOVEN Symphony No. 5 (arr. Watts)
CONCERT DURATION:
Approx 120 minutes with a 20 minute interval
ABOUT THIS CONCERT
Composed between 1804 and 1808, Beethoven's Symphony No. 5 stands as one of his most renowned works. Its’ iconic opening motif, with its memorable rhythm 'duh-duh-duh-duuuh', is instantly recognisable. Often referred to as ‘the Fate Symphony’ (German: Schicksalssinfonie), the famous opening four-note gesture is believed to symbolise fate knocking at the door. It reflects Beethoven's lifelong personal struggles including his increasing deafness.
AHE’s presents the world premiere of William Watts's version of Beethoven’s Fifth Symphony, arranged around 1820. This unique arrangement is quite unlike any large-scale symphonic recording you may have heard or may be expecting!
Ferdinand Ries, renowned as Beethoven’s right-hand man, was not only a brilliant composer in his own right, he played a pivotal role in Beethoven’s life. Beethoven regarded Ries as indispensable, relying on his assistance and companionship during difficult times. Their bond endured throughout their lives, with Beethoven imparting his knowledge and skills to Ries, shaping his development as a musician and composer.
At the composers’ request, Boccherini's Night Music of the Streets of Madrid remained unpublished for years after his death. He felt that the piece was only relevant within Spain (not true!). The work is now one of his most popular and best loved. Its vibrant, compelling melodies take you straight to Madrid and its bustling streets with their boisterous and colourful nightlife.
Fun fact – the film Master and Commander: The Far Side of the World uses the main violin theme from Night Music of the Streets of Madrid extensively. Russell Crowe, as captain of the Surprise, and Paul Bettany as his ship's surgeon play violin and cello in the captain's quarters for their own pleasure and distraction throughout the film, which is directed by Australian Peter Weir.
![AHE BEETHOVEN'S SEVENTH | image Oliver Miller 2.jpg](https://images.squarespace-cdn.com/content/v1/635bbd604f03f76ef980840e/1693429114118-JQZPI6QVR4F5HM2NRKR2/AHE+BEETHOVEN%27S+SEVENTH+%7C+image+Oliver+Miller+2.jpg)
![AHE BEETHOVEN'S SEVENTH | Skye McIntosh | image Oliver Miller 2.jpg](https://images.squarespace-cdn.com/content/v1/635bbd604f03f76ef980840e/1692693328758-EF31SDM73RLONKYCNFXP/AHE+BEETHOVEN%27S+SEVENTH+%7C+Skye+McIntosh+%7C+image+Oliver+Miller+2.jpg)
![AHE BEETHOVEN;S SEVENTH, Skye McIntosh, violin | Melissa Farrow, flute | Matthew Greco, violin| image Oliver Miller..jpg](https://images.squarespace-cdn.com/content/v1/635bbd604f03f76ef980840e/1692760363936-MGHFA14YOIYIAEK8MD3X/AHE+BEETHOVEN%3BS+SEVENTH%2C+Skye+McIntosh%2C+violin+%7C+Melissa+Farrow%2C+flute+%7C+Matthew+Greco%2C+violin%7C+image+Oliver+Miller..jpg)
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PERFORMANCES & TICKETS
WHAT YOU’LL HEAR
As far as we know, our performance of Beethoven’s Fifth Symphony will be a modern-day world premiere – with William Watt’s arrangement for string quintet, flute and double bass, having not been heard live since probably around 1820. There are currently no recordings. This snippet from our 2021 performance of Watt’s similar version of Beethoven’s Pastoral Symphony will give you an insight into how beautifully these works translate into chamber version.
DEEP DIVE
Learn more about the Composers and Music in this performance from the following links:
AHE SPOTIFY PLAYLIST
Listen to further selections from the program on our spotify playlist.
CONCERTS 101: WHAT TO EXPECT
First time attending a concert and not sure what to expect? Don’t worry! Scroll down to find out about attending an AHE concert. If you have questions that you don’t see the answer to here, send us an email and we’d be happy to help. Contact one of our friendly team at: info@australianhaydn.com.au
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Firstly, you should know there are no rules. Going to a concert can be a great time to glam it up. If that feels right, then go ahead – there’ll almost certainly be plenty of others dressing up.
It’s also totally fine to come in jeans – and plenty of people do. The only real “rule” is to wear something that’s comfortable.
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Don’t worry – nobody is going to get into trouble for clapping in the “wrong” place. The only real rule is not to clap while the musicians are actually playing (as other people can’t hear them).
The thing to know is that applause conventions have changed over time. People used to talk all the way through the opera in the 1700s, and we don’t tend to do that now!
At AHE, the music we play will often come to the end of a section (known as a movement) with what feels like a ‘big finish’. It’s like the composer is begging you to respond. And in days of old, they may well have shouted or clapped or cheered at that point!
When that happens, and you “accidentally” clap and not many others do, you have done nothing wrong! Just sit back and let it all sink in. You may still feel the vibration of the music in the air, and it can be quite a magical moment.
The performers will be getting ready for the next movement, which may have a very different feel to it. That’s all part of the journey of the piece as a whole.
Think of it like a book, with each movement like a chapter. You save your Goodreads five-star review for the end – and that has now become the convention for clapping at concerts.
At the end of the work, there will once again be a lovely pause while the final notes die away.
Watch for the body language of the players and let that be your guide. The majority of people around you may also start clapping too – so that’s always a good sign to let go and express yourself.
You don’t have to hold back at all now! Feel free to clap as loud and long as you like, cheer or you can even stamp your feet on the floor while you are still seated if you really loved it!
Sometimes you’ll see people standing up and clapping too (called a standing ovation). You don’t have to do this, but when and if you do, just know that it’s the highest honour an audience can give the musicians and a sign of maximum appreciation.
Most of all – listen and enjoy!
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Each performance has a detailed concert program that explains the history of the composers, the music and provides information about the musicians.
You can pick up a concert program at the performance or read it online a few weeks before the concert. Once, available, we upload it to our Concert Programs page and include it on the event page (above)
We also try to provide information about the music in the lead up to a concert on our website, social channels and via emails.
In our ‘Deep Dive’ section (also on this page for each concert), you will find links to various background information pages that will help to give you more insight into the works and composers on the program.
Be sure you have opted in to receive emails so that you get all the info.
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Yes, depending on the venue. The availability of refreshments varies from venue to venue and changes from time to time.
Below is information about what is currently available at our own venues.
BERRY: In Berry, we have community-led catering which usually includes tea and coffee, wine, cakes and snacks served by our wonderful local supporters.
BOWRAL MEMORIAL HALL: Delicious pre-concert and interval homemade treats are provided by the CWA. Alcohol is not currently available. There are gluten-free options and you can pay by cash or card.
BURRAWANG, SCHOOL OF ARTS: In Burrawang, we have gorgeous community-led catering which usually includes tea and coffee, wine and snacks served by the wonderful hall committee.
CANBERRA: Wesley Music Centre. Interval tea and coffee is on the cards for this venue in the future!
CITY RECITAL HALL: In Sydney, the City Recital Hall operates a full service bar before the concert and at interval. You can even take your drink inside the concert! Note that the City Recital Hall is a cashless bar. More information on all the dining options and bars is available here.
LAKE MACQUARIE: Tea and coffee, wine and snacks available.
PORT MACQUARE: Tea, coffee and wine available.
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Between pieces definitely. Our instruments aren’t amplified so we ask you to respect everyone’s experience and that you don’t talk whilst the musicians are playing.
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Photos are fine between pieces and when the musicians are bowing at the end of pieces, provided the flash is off.
Our musicians are concentrating hard whilst they are performing though, so we ask that your phone is off and away during the performance itself.